2006:‘Some(one)’
Alternative Art Space LOOP, Seoul, South Korea.
CONCEPT: On being the same… oneness
If one aspect of identity is depending on a main feature(face), what if it is ripped off one’s own self? As a Malaysian (alien) artist staying in Korea for a year, having been given a ‘strange’(and sometimes even annoying) look from others, I really felt like testing the boundary: “what would they feel if ‘an alien’ wanted to touch them… particularly their face?” And I want to take this opportunity to try to ripped off their main feature, so I guess aluminium foil would be the best material to be instantly applied to their face (and cast off), their main feature, leaving only (a death mask) a glimpse of their past/identity, and with the characteristic of the foil, it will be hard to tell whether someone is Korean, American, African, Asian, Middle Eastern, etc., giving the notion of sameness or oneness. And the fragility of the foil itself is very important to symbolized our own fragility.
2005: ART(IS)T...
Stopover Performance Festival.
2004: THE HAIR PIECE/PEACE
A solo performance in Red Mill Gallery, Vermont Studio Centre, USA.
My five year old hair performed on the spring evening of Sunday, 18th April 2004, 7pm to 7.45pm in Red Mill Gallery, Vermont Studio Centre, Johnson, Vermont USA
2004: SUPERPTUIH!
A stage play directed by Wan Azli, Store Theatre, DBP, Kuala Lumpur, Malaysia.
2000: RAFFLES-A PHYSICAL THEATER
Directed by Arifwaran, KBN, Kuala Lumpur, Malaysia.
1998: TAPI JEBAT
A Stage play directed by Zairul (ASK), Actors Studio, Kuala Lumpur, Malaysia.
1997: EXPERIMENTS IN TRUTH
3 hours performance in Pudu Jail, Kuala Lumpur, Malaysia.
1997: BANGAU OH BANGAU
A multimedia performance directed by Namron, Type-O Project, Actors Studio, Kuala Lumpur, Malaysia.
note: coming soon more info with photos